JoJo Siwa hilariously roasted for claiming she invented ‘gay pop’ music genre: ‘Open the schools!’
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Once upon a time, in the bustling world of music, there was a young star who had captured the attention of the industry and fans alike. Her name was JoJo Siwa, a former “Dance Moms” star turned singer who had recently made waves with her new single “Karma” and its accompanying music video.
At just twenty years old, JoJo Siwa had already established herself as a force to be reckoned with. But it wasn’t just her catchy tunes and energetic performances that were causing a stir – it was also her bold new look and unapologetic embrace of her sexuality. As a lesbian, JoJo had taken her music in a more mature direction, and fans were loving every second of it.
In the “Karma” music video, JoJo didn’t hold back. She pushed the boundaries of her image, showcasing a side of herself that fans had never seen before. The video went viral in an instant, with sapphics around the world praising JoJo for her fearless approach to her art.
But JoJo wasn’t done yet. In a recent interview with Billboard, she dropped a bombshell – she was starting a new genre of music called “gay pop.” According to JoJo, this genre would encompass music that wasn’t your typical bubblegum pop, but rather a more edgy and authentic sound that resonated with queer audiences.
However, not everyone was impressed. Queer artists and music fans quickly took to social media to challenge JoJo’s claim that she had invented a genre that had been around for decades. Artists like Tegan and Sara, pioneers in the lesbian pop music scene, shared their thoughts on TikTok, implying that JoJo’s declaration was a bit misguided.
On Twitter, users flooded the platform with examples of “gay pop” artists who had been making music long before JoJo’s foray into the genre. From Elton John to Lady Gaga, the list of iconic queer artists was endless. Many felt that JoJo’s attempt to stake her claim in the genre was unnecessary and disrespectful to those who had paved the way before her.
As the debate raged on, it was revealed that JoJo’s single “Karma” may have had a surprising origin. Rumors circulated that the song was actually a discarded Miley Cyrus track from 2012, titled “Karma’s A B**ch.” Coincidentally, the lyrics from Cyrus’ song seemed to have found their way into JoJo’s version, leading many to speculate about the connection between the two artists.
Despite the controversy surrounding her claims, JoJo remained unapologetic. She continued to champion her music and her vision for the future of “gay pop,” undeterred by the criticism from some corners of the LGBTQ+ community.
In the end, JoJo Siwa’s journey into the world of “gay pop” may have sparked a debate, but it also shed light on the rich history of queer artists in the music industry. As she navigated her way through this new chapter of her career, one thing was clear – JoJo Siwa was a force to be reckoned with, and she was just getting started.
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JoJo Siwa
